Marina Roy, “Quantum”, Queue Jumping, Information Office, 2022
Marcin Kedizor, More Blinding Than The Night, Scapegoat 10: Night, Toronto, Summer, 2017
Teresa Carlisimo and Michael DiRisio. "Days of Action: Collaboration and Collective Action in Toronto in the 1980s and 1990s", This is Paradise, Spring 2015
Polly Gibbons, “Poetry of Knowing: How Do We Know What We Know?” SFU Blog, June 4, 2015
Michael DiRisio, “Kika Thorne, The WILDcraft”, C Magazine, Issue 117, Spring, 2013
Julia Abraham, “I Thought There Were Limits”, Justina M. Barnicke, Spring, 2013
Michael Turner, "Things Matter' sets Thoughts in Motion at Or Gallery", Canadian Art, January 2013
Srimoyee Mitra,“Wildsides: The Art of Kika Thorne”, The WILDcraft, AGW, 2012
Catalogue available at Art Gallery of Windsor www.agw.ca/page/118
Rosemary Heather, “Thinking about the position inside”, The WILDcraft, AGW, 2012
Catalogue available at Art Gallery of Windsor www.agw.ca/page/118
Jessie Birch, “Common Gravity: Kika Thorne’s Tension Sculptures”, The WILDcraft, AGW, 2012
Catalogue available at Art Gallery of Windsor www.agw.ca/page/118
Adrian Blackwell, “White Wall/Black Hole System: drawing lines between cinema and architecture, galaxies and souls.” G Gallery, 2012 Contact me for poster/essay kikathorne@gmail.com
Allan Antliff, “Art & Anarchy”, Anarchist Developments in Cultural Studies, 2011
Rodney LaTourelle, Review, Akimblog, November 10, 2010
Chris Brayshaw, “Octave”, Pyramid Power #6, Summer, 2009
Charity West, “Gasoline Rainbows”, White Hot Magazine, Mar. 2007.
Jenifer Papararo, “Gasoline Rainbows”, CAG, 2007
Davies, Jon. "Foreword: VS Program" VS, Dec. 2004.
SØrli, Scott. "Nothing Ventured, Nothing Gained",VS, Dec. 2004.
Laura U. Marks. "Video's Body, Analog and Digital", Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
M.E. Luka et al. "Guerrilla Video: Electrons Outside the Vacuum", Guerrilla Video, Aug. 14 Summer, 2002.
Emily Pohl-Weary. "Kika Thorne's Shifting Focus: Protest and collective process shape...", Trade, Fall, 2001.
Anya Wassengerg. "Photophobia3", Artsbeat, Aug. 2001, v. 14, no. 2.
Gemma Files. "Splitting Images: Work by Kika Thorne", EYE WEEKLY, Apr. 13, 2000, v. 9, no. 7.
Mike Hoolboom. "Kika Thorne", Inside the Pleasure Dome: Fringe Film in Canada, 2000, Coach House Books.
Mike Hoolboom. "Kika Thorne: Bodies and Desire", LUX: A Decade of Artists' Film & Video, 2000. Toronto: YYZ books and PleasureDome, 2000.
Laura U. Marks. "Images of Intermediat...", Afterimage, July, 2000, v. 28, no. 1.
Cameron Bailey. "Images fest has a thing for sex", NOW, Apr. 22, 1999, v. 18, no. 34.
Blake Gopnik. "Gritty art show can fill your mind as you drain your body", The Globe and Mail, July 16, 1998.
Peter Goddard. "Fringe romps in visual paradise: rebels don't make money, but..." The Toronto Star, Jan. 2,1998.
Ingrid Chu. "In Lieu: Various Locations", Parachute, July 2, 1998.
Alan A. Vernon. "Art Goes to the John", EYE WEEKLY, July 2, 1998.
Kim Fullerton. "All that glitters is Litter: Hard on the trashy trail of art gold", Xtra!, Apr. 9, 1998, no. 351.
Cameron Bailey. "Best of '97: Local Movie Moguls", NOW, Dec. 25, 1997, v. 17, no. 17.
Cameron Bailey. "Sex-radical filmmaker lets it all hang out", NOW, July 17, 1997, v. 16, no. 46.
Peter Goddard. "Filmmaker defined by the erotic", The Toronto Star, July 18, 1997.
Unknown. "Pleasure Dome: Spring/Summer '97", Pleasure Dome, Spring, 1997.
Barbara Mainguy. "The Festival That Rocks: Toronto's Images...", The Independent, July, 1997.
Cameron Bailey. "T.O. movie scene boasts inspiring individual effort", NOW, Dec. 25, 1997, v. 17, no. 17.
Barbara Godard. "A Woman is a Moving Site", Mix, Winter, 1995.
Dot Tuer. "All in the Family: An Examination of Community Access Cable...", Fuse, Spring, 1994, v. 17, no. 3.
Mike Hoolboom. "Bodies and Desire: The Films of Kika Thorne", Cantrills Filmnotes, 1993, no. 71/72.